Oops I Did It Again Britney Spears Clean
| Oops!... I Did It Again | ||||
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| Studio anthology by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Length | 44:37 | |||
| Label | Jive | |||
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Again | ||||
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Oops!... I Did It Once again is the 2nd studio album by American vocalist Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby 1 More than Time (1999), it is a popular, trip the light fantastic-pop, and teen pop tape, the album incorporates a more funkier and R&B sounds.[i] Contributions to the album'due south production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[ii]
Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The anthology became a massive commercial success, debuting at number one in over 15 countries while peaking within the top ten in diverse others. In the United states of america, it debuted at number 1 on the Billboard 200, with first-calendar week sales of 1.39 meg copies, becoming the fastest selling album by a female creative person since Nielsen SoundScan began tracking signal-of-sale music purchases in 1991.[3] This record was cleaved xv years later by Adele's 25, which sold over iii.38 million copies in its first week of release.[four]Information technology became Spears' second consecutive anthology to exist certified Diamond by the Recording Manufacture Association of America, cogent sales of over ten 1000000 copies in the United states, making Spears at age xviii the youngest artist to accept multiple diamond albums.[5] With worldwide sales of over twenty 1000000 copies,[6] Oops!... I Did It Again is one of the acknowledged albums of all-time.
4 singles were released to promote the album. Its title track was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number 9 on the US Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Federal republic of germany, Sweden and Switzerland, within the meridian ten in Australia, Belgium, Canada, Kingdom of denmark, Ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the United kingdom of great britain and northern ireland, and at number xx-three on the US Billboard Hot 100. Its third single, "Stronger", reached the top ten in Republic of austria, Republic of finland, Germany, Poland, Romania, Sweden, Switzerland and the United kingdom, and peaked at number eleven on the United states Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Aureate certification in Australia, Denmark, Germany, New Zealand, Sweden, and the United states. Its final single, "Don't Allow Me Exist the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and inside the superlative ten in Austria, Poland, and Switzerland, but failed to nautical chart on the The states Billboard Hot 100. To promote the anthology, Spears performed on several television receiver shows and award ceremonies, including a controversial operation at the 2000 MTV Video Music Awards. She also was the host and musical guest for the kickoff time on Saturday Night Alive. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Tour, starting on June 20, 2000 and catastrophe at the Rock in Rio festival on Jan 18, 2001.
Recording and production [edit]
"When I did the first album, I had just turned 16. I mean, when I look at the anthology encompass, I'one thousand like, 'Oh, my lordy.' I know this next album's going to be totally unlike--especially the fabric. I just got finished recording the first six tracks in Sweden two months agone, and the material is then much more funkier and edgier. And, of course, it's more mature because I've grown as a person besides."
—Spears on the progression of her material for the anthology.[7]
After vacationing for six days following the completion of the ...Baby One More Time Bout in September 1999,[8] Spears returned to New York City to begin recording songs for her next album; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[ix] The songs "Oops!... I Did It Again", "Walk on By" (later covered by Gareth Gates), "What U Come across (Is What U Get)", and "Don't Go Knockin' on My Door" were the first to be recorded at Martin'south Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (forth with the title track) in January 2000. Spears recorded "Don't Allow Me Be the Last to Know" at Robert Lange'southward villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You Now" was an outtake from ...Baby One More Time. "Girl in the Mirror" and "Can't Make Yous Love Me"'s instrumental track and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren'southward "When Your Eyes Say It" at Bombardment Studios on Friday, January 28, 2000, which preceded her TRL appearance that day. "One Kiss from You" was also recorded at Battery Studios merely was later finished at third Flooring in New York City. Spears also recorded the last rail for the album "Dear Diary" which would later be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attending the 42nd Annual Grammy Awards.[13]
By January, the and then-untitled album was halfway to completion; Spears had worked on it primarily in the United States and Sweden, and finalized material in New York City.[ix] She was heavily pressured after ...Infant One More Time 's huge commercial success, stating: "It's kind of hard following x million, I have to say. But subsequently listening to the new textile and recording information technology, I'm actually confident with it."[xiv] Upon the release of Oops!...I Did Information technology Once more, Spears said: "I mean, of course there's some force per unit area", and added: "Only in my opinion, [Oops!] is a lot better than the outset album. It'due south edgier – it has more of an attitude. It'due south more me, and I think teenagers volition relate to it more." Geoff Mayfield, manager of Billboard charts, added that the conclusion to release Oops!... I Did Information technology Again less than a twelvemonth and a half after Spears' debut amounts to "very smart timing. My philosophy is when y'all have a immature fan base, get 'em while they're hot."[15]
Music and lyrics [edit]
Oops!... I Did Information technology Again was considered equally a sequel to Spears' debut anthology, ...Baby One More Time (1999),[1] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[16] Spears said during an interview that the album has a more than mature, R&B-flavored pop sound. "It'south non something I changed purposefully", Spears said of the anthology'due south sound and added: "Information technology'southward but something that kind of inverse on itself with me being older. My vox has changed a niggling bit and I'm more confident, and I think that comes across on the cloth."[seven] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It's going to shock everybody", adding: "It has flavors of the original, but it'south a direct 2000 version — new to the ear. Which I retrieve is cool, because people who capeesh that song are going to dearest it. And I made it so new and young that the immature kids that dear Britney are going to dear it. It's going to grab both a mature and young audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Permit Me Be the Last to Know", telling MTV News: "When y'all hear the song, it's and so pure and frail. It's just ane of those songs that pull you in", and added: "I call up they wrote it 'especially for me, because the lyrics of the song, if you really heed … they're more of what I can relate to, 'crusade they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm maxim."[17]
The title track and opening vocal, "Oops!... I Did It Once more", was compared to her debut single, "...Baby I More than Fourth dimension" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the vocal sees Spears warning to an overeager prospective lover: "Oops, you think I'm in love/That I'm sent from above — I'm not that innocent."[eighteen] The song also breaks down for a spoken-discussion interlude, involving a line from the film Titanic (1997).[xviii] The 2d rails "Stronger" is a synthpop[19] and R&B-infused rails,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her similar property.[20] The line "my loneliness ain't killing me no more than" makes reference to the poetry "my loneliness is killing me" from her song "...Baby One More Time".[17] Another R&B-infused track, which also adds a scrap more funk to the mix,[17] "Don't Go Knocking on My Door" finds Spears confidently forging ahead after a breakdown.[20] The 4th track, a cover of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The dance-pop version also jettisons the vocal'south final verse and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my skirt should exist").[22] "[It] was my idea [to record the vocal]", Spears said. "I was but like, 'I like this song,' and I think it volition be a actually absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[13] The fifth rail, "Don't Allow Me Be the Last to Know", was co-written by country-pop singer-songwriter Shania Twain and her and so-husband, producer Robert "Mutt" Lange, who also produced the rails.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish product, finds Spears assuasive a bit of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you lot're into me ... merely I demand to hear information technology directly from you", she sings.[17]
The sixth track "What U Come across (Is What U Become)" demands respect by rebuking a jealous partner,[xx] while the seventh track, "Lucky", is a heart-rending tale of a Hollywood starlet'southward loneliness, proving that fame can be empty.[20] "If in that location's cipher missing in my life/And then why do these tears come at night?", she asks.[19] "School crush" is the theme of "One Kiss from You",[twenty] a track that has a reggae-style beat and lyrics about the feelings of falling in honey, and the quickness of information technology,[23] with Spears cooing that after only 1 osculation she sees her entire future with her lover.[24] The ballad "Where Are You Now" talks about wanting to know where a previous beloved is, and what that person is up to, so that she tin finally let them go and find closure.[ citation needed ] Lines on "Can't Make You Love Me", a Europop song,[21] country that fancy cars and money stake in comparing to truthful love,[20] with Spears singing: "I'thousand simply a daughter with a vanquish on you."[21] The mid-tempo, synth-backed "When Your Optics Say Information technology", written past songwriter Diane Warren, combines a string section with a loping hip hop vanquish,[17] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a boy.[17]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with live performances of her by songs. She appeared on Nail Hits in the Uk.[25] In Italy, she did a brusk interview on the television testify TRL Italia in early on 2000.[25] and gave a surprise performance in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Alive on May 13.[25] In Espana, she gave an interview with El Rayo on September viii and Oct 24.[25] Spears performed at large venues in the U.k., including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a brusk Uk outing in October 2000.[26]
Oops!... I Did Information technology Again was outset released in Japan on May 3, 2000, and was afterward released in the United States on May sixteen. In the Usa, Spears appeared on Saturday Night Live on May xiii, The Rosie O'Donnell Show on May 15, and Teen People's 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Night with Conan O'Brien.[25] On May 13, Spears was both the host and musical invitee on NBC's Sabbatum Night Live. She likewise performed on NBC'south The Tonight Show with Jay Leno on May 23.[28] Spears' held her postal service-TRL listening party, "Britney's Showtime Listen", on May 16, and was toast the inflow of her album on next Tuesday'south installment of TRL that started at 3:xxx p.one thousand. (ET).[29] On May 14, she was at Times Square studios for two hours of "Britney Alive" that started at noon.[29] Spears performed "Oops!... I Did It Once more" on MTV's All Access: Backstage with Britney that was broadcast on July xix, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York Urban center at the Radio City Music Hall, Spears gave a memorable live functioning.[30] which included a cover of the Rolling Stones's hit single "(I Can't Get No) Satisfaction" (1965) and her own striking "Oops!... I Did It Once more", released before that year. While she began her segment in a black conform, she shocked the audition and the media while, at only the age of eighteen, ripped it off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] 1 month earlier the release of the album, Spears headed to Hawaii on Easter Lord's day so she could record a Fox telly special titled Britney Spears in Hawaii. The costless concert was held on the embankment in front of the Hilton Hawaiian Hamlet lagoon in Honolulu, Hawaii.[32] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did It Again anthology that features her twelve new songs.[32] Spears had on a calendar month-long international promotional bout in support of Oops!... I Did It Again, and on May 2, she had a printing event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was also among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[34] She was too expected to appear on a Grammy-day TRL.[34]
The anthology's supporting bout, the Oops!... I Did It Again Tour, visited North America, Europe, and Brazil equally function of Stone in Rio. On the Crazy 2k Bout, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Exist the Concluding to Know". On June 24, 2000, Spears was featured in a impress and television ad campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her ain vocal for the make called "I've Got the Urge to Herbal" that was featured in 60-2nd radio spots and was part of a pre-concert video presentation for Spears's fifty-urban center summer concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released as the atomic number 82 single from the album and achieved worldwide popularity. Information technology became Spears'southward third elevation-x hit unmarried on the US Billboard Hot 100, peaking at number nine; however, in comparison to the huge success of her debut unmarried "...Baby Ane More than Time", Jive Records considered "Oops!... I Did It Again" a minor disappointment.[36] The song peaked at number ane on the US Mainstream Top 40,[37] holding the tape for the most radio additions in one 24-hour interval. "Oops!... I Did It Once again" peaked atop the charts in Australia, Belgium, Canada, Italy, the netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[38] An accompanying music video for "Oops!... I Did It Once again" saw Spears on Mars in at present-iconic ruby shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the body of water at the end of Titanic.[39]
The album'due south second single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her all-time offerings from the album. Commercially, "Lucky" topped the charts in Republic of austria, Frg, Sweden and Switzerland, while reaching number 5 on the UK Singles Chart.[forty] In the United States, "Lucky" but managed to peak at number twenty-three on the Billboard Hot 100 chart and at number nine on the Mainstream Top twoscore.[36] The "glittery" music video sees Spears as the narrator and an extra named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[41]
The third single, "Stronger", was released on October 31, 2000 and became the album's second highest-charting single in the United States, peaking at number eleven on the Billboard Hot 100 and number i on the Hot Single Sales.[36] Information technology reached number seven on the UK Singles Chart.[42] Its music video sees Spears catching her swain cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[43]
The quaternary and final single, "Don't Permit Me Be the Terminal to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the United states of america, the song performed well beneath expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top 40. Nonetheless, the song attained success in Europe, topping the Romanaian Elevation 100 and peaking inside the top ten in Republic of austria, Poland and Switzerland, while only missing the meridian ten in Frg, Republic of ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[44] The music video was considered too racy at the time, portraying Spears in dear scenes with her fictional fellow, played by French model Brice Durand.[45]
"Y'all Got It All" received a promotional release in French republic in May 2000. A promotional CD single for "When Your Eyes Say Information technology" was released in the United Kingdom in January 2001.[ citation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[47] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[16] |
| Christgau's Consumer Guide |  [48] |
| Entertainment Weekly | B[21] |
| Los Angeles Daily News | [49] |
| MTV Asia | viii/10[50] |
| NME | viii/10[19] |
| Rolling Stone |  [22] |
| Salon | favorable[51] |
| Sonic.internet | [52] |
Oops!... I Did It Once again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did Information technology Again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[53] Giving the album four out of 5 stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic-pop that made '1 More Fourth dimension'," but remarked that, "Fortunately, she and her production team not only accept a stronger overall set of songs this time, but they also occasionally go carried abroad with the same bewildering magpie aesthetic, [...] giv[ing] the album graphic symbol apart from the well-crafted dance-pop and ballads that serve as its heart. In the end, information technology's what makes this an entertaining, satisfying listen."[ane] Billboard mag wrote that "'Oops!...' indicates that she'due south developing a soulful edge and emotional depth that tin't be conjured with a glass-shattering notation," praising the anthology for consistently cast[ing] Spears as a young woman coming to terms with her inner ability—and that'southward a darn good message to offer an impressionable audience."[16] Amusement Weekly'due south David Browne gave the anthology a B-rating, writing that the album "reminds us once once again that the all-time new pop tin be a nail of cool air in a stifling room."[21]
Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of v stars rating, calling the anthology "fantastic pop cheese, with much improve vocal-factory hooks than 'N Sync or BSB go", too noting that "the slap-up thing about Oops!, nether the cheese surface, is complex, fierce and downright scary, making her a true kid of stone & scroll tradition."[22] A author of NME reported that "she's modernistic-twenty-four hours pop perfection realised in a well-nigh, human form", commenting that "she's done it again."[xix] Lennat Mak of MTV Asia named it "a vivid second album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, extensive media exposure."[fifty] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its message only for the style it applies the conventions of the pop-musical medium."[51] Website The A.V. Guild was more mixed, calling it "a joyless scrap of redundant, obvious, competent cheese, recycling itself at every plough and soliciting songwriting from such soulless hacks every bit Diane Warren and contrasted Swedes."[54]
Accolades [edit]
Commercial performance [edit]
In the United states of america, Oops!... I Did It Again reportedly sold 500,000 copies in its offset 24-hour interval of release.[60] It debuted at number one on the Billboard 200 chart, with first-week sales of 1,319,193 copies.[61] [62] [63] With its success, Spears held the tape for the highest outset-calendar week sales by a female artist.[64] This tape was held for fifteen years, only to be surpassed in November 2015 by the album 25 by Adele, which sold over 3.38 meg albums in the United States in its first week.[4] The album roughshod to number two in its second week, with boosted sales of 612,000 copies.[65] It held this position for fifteen consecutive weeks.[66] [67] By its 5th week of availability, Oops!... I Did It Again had sold over three million copies and had passed five million copies by August.[68] On its seventeenth week on the chart,[69] information technology was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of 7 one thousand thousand units.[70] [71] The anthology spent fourscore-4 weeks on the Billboard 200, thirty-1 weeks on the Canadian Albums Chart, and 2 weeks on the Usa Itemize Albums.[72] Oops!... I Did It Again debuted at number 80-ii on the European Top 100 Albums, and quickly peaked at number one;[73] it sold over iv million copies within the continent, being certified four-times Platinum past the International Federation of the Phonographic Industry.[74] Oops!... I Did It Again reached number two on the UK Albums Nautical chart,[38] selling 88,000 copies in the offset week of release; information technology remained in the tiptop v for four weeks. The album debuted at number 1 in Canada, selling 95,275 copies in its first week.[75]
It topped the French Albums Chart[76] and the German Offizielle Peak 100, also being certified triple Platinum by the British Phonographic Industry (BPI),[77] double Gold past the Syndicat National de l'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] cogent shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent ten weeks in the acme twenty;[fourscore] information technology became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following year after shipping 140,000 copies to retailers.[81] [82] Oops!... I Did It Once again opened at number three on the New Zealand Albums Chart and was certified Gold subsequently just one week on the chart.[83] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did Information technology Again became the tertiary all-time-selling album of 2000 in the Usa, selling 7,893,544 albums according to Nielsen SoundScan[85] and fourth best-selling album according to Billboard Twelvemonth-End of 2000.[86] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[87] [88] Besides, the album landed at number 20-seven on BMG Music Club all-time best-sellers list with 1.21 one thousand thousand units, backside Shania Twain'due south The Woman in Me (1.24 meg) and Nirvana'south Nevermind (1.24 meg).[89] As of July 2009, the album has sold 9,184,000 copies in the Usa, excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did It Once more sold ii.5 million copies in its first week (2nd highest first week sales by a female artist worldwide) and sold xv meg copies past the finish of the yr. It was the acknowledged female album and 3rd all-time selling album of 2000. The album has sold 20 million copies worldwide.[half-dozen]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Can't Make You Beloved Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Y'all Meet Is What You lot Get" in 1999 to 1 of Spears' representatives for consideration on a hereafter anthology, though it was rejected.[91] The instance was later dismissed after it was ruled that they lacked sufficient evidence and that in that location "weren't enough similarities betwixt the 2 songs to prove copyright infringement."[92]
Rail listing [edit]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did Information technology Again" |
|
| iii:31 |
| 2. | "Stronger" |
|
| 3:23 |
| 3. | "Don't Go Knockin' on My Door" |
|
| three:43 |
| four. | "(I Tin't Get No) Satisfaction" |
| Rodney Jerkins | iv:23 |
| 5. | "Don't Let Me Be the Final to Know" |
| Lange | 3:fifty |
| 6. | "What U See (Is What U Become)" |
|
| 3:36 |
| seven. | "Lucky" |
|
| iii:26 |
| 8. | "One Kiss from You" | Steve Lunt |
| iii:23 |
| ix. | "Where Are You At present" |
|
| 4:39 |
| x. | "Can't Make Yous Love Me" |
|
| 3:17 |
| 11. | "When Your Optics Say It" | Diane Warren |
| 4:29 |
| 12. | "Dear Diary" |
|
| 2:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Daughter in the Mirror" | Elofsson |
| 4:06 |
| 13. | "Dearest Diary" |
|
| 2:46 |
| Full length: | 48:24 | |||
| No. | Championship | Author(s) | Producer(s) | Length |
|---|---|---|---|---|
| xi. | "When Your Optics Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
| thirteen. | "Yous Got It All" | Rupert Holmes | Eric Foster White | iv:43 |
| fourteen. | "Dear Diary" |
|
| 2:46 |
| Total length: | 52:33 | |||
| No. | Championship | Author(s) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say Information technology" | Warren |
| iv:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| three:36 |
| 13. | "You Got It All" | Holmes | White | iv:10 |
| 14. | "Heart" |
|
| 3:31 |
| 15. | "Dearest Diary" |
|
| 2:46 |
| Total length: | 55:34 | |||
| No. | Championship | Length |
|---|---|---|
| 1. | "Don't Let Me Exist the Last to Know" (Album version) | three:50 |
| 2. | "Don't Let Me Be the Concluding to Know" (Hex Hector Radio Mix) | four:01 |
| 3. | "Don't Permit Me Exist the Concluding to Know" (Hex Hector Social club Mix) | 10:12 |
| 4. | "Stronger" (MacQuayle Mix Testify Edit) | 5:21 |
| v. | "Stronger" (Pablo La Rosa's Tranceformation) | 7:21 |
| 6. | "Oops!... I Did It Again" (Music video) | 4:eleven |
| 7. | "Lucky" (Music video) | 4:07 |
| viii. | "Stronger" (Music video) | iii:37 |
| 9. | "Don't Let Me Be the Last to Know" (Music video) | 3:51 |
| Total length: | 30:52 | |
| No. | Championship | Length |
|---|---|---|
| one. | "Oops!... I Did It Again" (Music video) | 4:20 |
| ii. | "Lucky" (Music video) | iv:14 |
| 3. | "Stronger" (Music video) | 3:47 |
| iv. | "Oops!... I Did It Again" (Karaoke) | 4:17 |
| 5. | "Lucky" (Karaoke) | four:18 |
| 6. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Track 4, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
- ^a signifies a song producer
Personnel [edit]
Credits adapted from AllMusic.[100]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Stonemason, Sr. – editing
- Bobby Brown – banana engineer
- Flip Osman – assistant engineer
- Clayton Woods – assistant engineer
- Anthony Ruotolo – banana engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – banana engineer
- Charles McCrorey – engineer, banana engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Stonemason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – cord engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – fine art direction, pattern
- Marker Seliger – dorsum cover, cover photo
- Larry "Rock" Campbell – bass, guitar, producer, pulsate programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – pilus stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Forest – keyboards
- Elan Bongiorno – brand-upwards
- Johnny Wright – direction
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Brownish – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Factor Orloff – violin
- Marion Pinhiero – violin
- Marti Sweetness – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – groundwork vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – background vocals
- Therese Ancker – groundwork vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – groundwork vocals
Charts [edit]
Weekly charts [edit]
| Twelvemonth-end charts [edit]
Decade-terminate charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Encounter too [edit]
- List of acknowledged albums
- List of best-selling albums past women
- Listing of best-selling albums in the U.s.a.
- Listing of fastest-selling albums
Notes [edit]
- ^ As of December 2010, Oops!...I Did It Again has sold ix,201,000 copies in the United states according to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[90]
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- ^ Panas, Dan (Dec 29, 2000). "Marie är popens drottning år 2000". Aftonbladet (in Swedish). Archived from the original on March 16, 2021. Retrieved March 16, 2021.
- ^ "Guld- och Platinacertifikat − År 2002" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 2011-05-17.
- ^ "The Official Swiss Charts and Music Community: Awards (Britney Spears;'Oops!... I Did It Again')". IFPI Switzerland. Hung Medien.
- ^ Copsey, Rob. "Albums turning 20 years old in 2020". Official Charts Visitor. Retrieved 9 Jan 2020.
- ^ "British album certifications – Britney Spears – Oops!... I Did It Again". British Phonographic Industry. Select albums in the Format field.Select Platinum in the Certification field.Type Oops!... I Did Information technology Again in the "Search BPI Awards" field and and so press Enter.
- ^ Trust, Gary (May 27, 2012). "Ask Billboard: Spears, Lovato's 'X'-cellent Sales". Billboard . Retrieved Apr 14, 2022.
- ^ "American album certifications – Britney Spears – Oops". Recording Industry Association of America.
- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did Information technology Once more - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did Information technology Once more!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Over again - Amazon
- ^ "Oops!... I Did It Again (Special Great britain Edition)". AllMusic. October 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Once again [Nippon 2001 Bonus Tracks]". AllMusic. February 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did Information technology Again AUSTRALIA Special Edition w/Bonus Disc of Remixes And Videos". Record Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once more Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once more 20th anniversary edition picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Just Hits. Year by year. 1959-2002] (in Spanish). Madrid, Espana: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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